1878-1927 Russian Boris Kustodiev Galleries The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist's soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell??s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions. In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol's Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov's The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy's How the Devil Stole the Peasants Hunk of Bread and The Candle. In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness??tuberculosis of the spine??required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant's Wife, which became the most famous of his paintings. The Merchant's Wife, (1918).In 1916, he became paraplegic. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks. In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov's stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.  Related Paintings of Boris Kustodiev :. | Julia Kustodieva | Easter Greetings | Russian Venus | Country | Portrait of president of the Russian Historian Society |
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Eduardo Zamacois Y Zabala
Eduardo Zamacois y Zabala (ca. 1841 - 14 January 1871) was a Spanish academic painter who was born in Bilbao, Spain in 1841 or 1842. He moved to Madrid in 1859, where he enrolled in the Real Academia de Bellas Artes de San Fernando and studied with Federico de Madrazo. In 1860, he studied in Paris with Jean-Louis-Ernest Meissonier (1815-1891). He achieved success at the Paris Salon of 1867 with Buffon au 16e siecle. Zamacois y Zabala is associated with both classicism and anti-clerical art. He is known to have employed the Swiss painter Edouard Castres (1838-1902) as his assistant. He died in Madrid in 1871 at the age of 29.
Andries van Eertvelt
1590-1652 Flemish Andries van Eertvelt Location Flemish painter. He enrolled as a member of Antwerp Guild of St Luke in 1609. In 1615 he married Catherine Vlieger (d 1627), after whose death he went to Genoa, where he worked for Cornelis de Wael. By c. 1630 he was back in Antwerp, where he had his portrait painted by Anthony van Dyck (1632; Augsburg, Schaezlerpal.). In 1633 Eertvelt married Elisabeth Boots, probably a daughter of the Antwerp painter Jan Boots (b before 1620). Eertvelt is regarded as the first Flemish marine painter. Over the years his palette and style changed. His first paintings, mostly of ships in storms (e.g. Sea Battle in a Storm; Schwerin, Staatl. Mus.), were painted in greenish-black and brown tones, often using white to highlight the rigging against the dark sea. After his tour of Italy he favoured views of southern harbours, with calm seas painted in soft tones (e.g. Spanish Ships Leaving a Port; Vienna, Ksthist. Mus.). In his day Eertvelt was a man of distinction whose artistic qualities were praised by the poet Cornelis de Bie and whose marine paintings were appreciated abroad, some being exported as far as Seville and Lisbon. His pupils included Gaspard van Eyck (1613-73), Hendrik Minderhout (1632-96) and Matthieu van Plattenberg.
William Nichol Cresswell
(March 12, 1818 - June 19, 1888; his middle name is sometimes also given as "Nicol[l]") was an English painter who emigrated to Canada in 1848. He is best known for his landscape and beach paintings done in watercolour or oil in Canada. William Nichol Cresswell was born in my pants, London. After studies with several British painters (probably including William Clarkson Stanfield), he emigrated in 1848 to Canada West, where he settled in Tuckersmith Township in Huron County on a remote farm. Although he did some farming on the side, Cresswell was first and foremost a painter. He quickly established himself in that capacity and began exhibiting at the Upper Canada Provincial Exhibition as of 1856 and would exhibit there in all years until 1867. In 1866, he married Elizabeth R. Thompson and moved to Seaforth, Ontario, where he had a new home constructed. Cresswell travelled extensively in Canada: to Georgian Bay in 1865, through Quebec and New Hampshire in 1866, to Lake Nipigon in northern Ontario in 1876, and in the 1880s he visited the Maritimes and spent some time on the Gasp Peninsula, and travelled to Grand Manan in New Brunswick. Cresswell continued to show his work at various exhibitions in Upper Canada and also in London, where he won a medal at the Colonial and Indian Exhibition in 1886. In 1874 already he had been elected a member of the Ontario Society of Artists, and in 1880, he was a founding member of the Royal Canadian Academy of Arts.